Newfred (A Contrarian Tendency)

These fought in any case

Wednesday, December 09, 2009

These fought in any case,
and some believing
pro domo, in any case...

Died some, pro patria,
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;

fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

— Ezra Pound

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The Fault of It

Wednesday, November 11, 2009

Some may have blamed us that we cease to speak
Of things we spoke of in our verses early,
Saying: a lovely voice is such as such;
Saying: that lady's eyes were sad last week,
Wherein the world's whole joy is born and dies;
Saying: she hath this way or that, this much
Of grace, this way or that, this much
Of grace, this little misericorde;
Ask us no further word;
If we were proud, then proud to be so wise
Ask us no more of all the things ye heard;
We may not speak of them, they touch us nearly.

— Ezra Pound

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Something and Nothing

Monday, October 19, 2009

If you had known how little
you would have had to give
to drum into this brittle
hope the desire to live
would you have changed the venue,
your greeting or your tone
or planned things better when you
knew we'd have hours alone
and if you heard a hollow
voice spit these ill-advised
questions, would nothing follow?
I wouldn't be surprised.

Sophie Hannah

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Mid-Term Break

Thursday, October 08, 2009

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbours drove me home.
In the porch I met my father crying —
He had always taken funerals in his stride —
And Big Jim Evans saying it was a hard blow.
The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand
And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand
In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.
Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,
Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.
A four foot box, a foot for every year.

— Seamus Heaney

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Verge and Brink

Monday, September 21, 2009

He stands twixt verge and brink,
Stood rigid, head inclined;
A homely place, a native breeze
is this: a warm, nostalgic fear.

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At Dunedin International Airport, 19 months ago

Saturday, September 19, 2009

New territory: unmarked by foot or gaze;
a virgin place whose undiscovered gaps and lines
conspire to engulf and redefine
this sore and sullied crust that I call skin.
And should I trace this trail that is not there?
Will crevices and cliffs be my companions?
Or will they lose me, in a storm
that marks me: naked; washed; unborn.

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Birthday

Monday, October 22, 2007

Skin

Obedient daily dress,
You cannot always keep
That unfakable young surface.
You must learn your lines —
Anger, amusement, sleep;
Those few forbidding signs
Of the continuous coarse
Sand-laden wind, time;
You must thicken, work loose
Into an old bag
Carrying a soiled name.
Parch then; be roughened; sag;
And pardon me, that I
Could find, when you were new,
No brash festivity
To wear you at, such as
Clothes are entitled to
Till the fashion changes.

—Philip Larkin

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Poetry XLVIII: Flats

Sunday, October 14, 2007

The thousands unlock their doors
and in flies reality
uninvited.
Perhaps we just wanted to sit
for a lifetime or two
and not see it.
Perhaps we just wanted to sit
and have our own plates
to eat our cheese.

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Poetry XLVII: Short

Tuesday, October 09, 2007

Perspective nightmare:
A confined space.
Forever onwards, forwards:
Closer. Further away.

2002

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Poetry XLVI

Sunday, September 30, 2007

Goodbye, another forgotten day
where the grass grew longer
and the notion stronger
that this would be a forgotten day.
All is old and dead and past;
its grey remnant on the floor.
Every day we ask for more,
but nothing here can last.

2001

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Poetry XLV

Saturday, September 29, 2007

Why yield to pressures external/undue
That don't matter or make any difference to you?
People telling and asking and pulling both arms
And time's stings attacking your skull in its swarms?
If there's something you'd rather be doing right now,
Go and do it — say no thank-yous, goodbyes — save a row.
If this is a maxim, then follow it true:
It's something you can't just intend to do.

2001

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On the wall of the print room

Saturday, June 23, 2007

Everything is going to be all right

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A Sort of Conversion

Thursday, May 10, 2007

A sort of conversion, they say.
Not from the old to the new,
So much as from sheen to lacquer,
From smooth to flat,
From perhaps to tomorrow.
In these subtle shifts, we find
The unexpected whiff of famil-
iarity:
A replacement radio, without the interference,
With still the same voices
and still the same programmes.
The sun sets behind that pinker sky
Which was grey from behind a dirty pane of glass
Which was contingent, not
necessary
and blossom falls
and a leaf
and a gate swings just like it used to:
a sort of conversion, they say.

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W.H. Auden at 100

Thursday, February 22, 2007

Happy birthday Mr Auden. Today you turn 100, and every word you wrote is truer now than then.

There will be no peace (1956)

Though mild clear weather
Smile again on the shore of your esteem
And its colours come back, the storm has changed you:
You will not forget, ever,
The darkness blotting out hope, the gale
Prophesying your downfall.
You must live with your knowledge.
Way back, beyond, outside of you are others,
In moonless absences you never heard of,
Who have certainly heard of you,
Beings of unknown number and gender:
And they do not like you.
What have you done to them?
Nothing? Nothing is not an answer:
You will come to believe — how can you help it? —
That you did, you did do something;
You will find yourself wishing you could make them laugh,
You will long for their friendship.
There will be no peace.
Fight back, then, with such courage as you have
And every unchivalrous dodge you know of,
Clear in your conscience on this:
Their cause, if they had one, is no thing to them now;
They hate for hate's sake.

Economics (1964)

In the Hungry Thirties
boys used to sell their bodies
for a square meal.
In the Affluent Sixties
they still did:
to meet Hire-Purchase Payments.

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Poetry XLIII: Short

Monday, February 05, 2007

Imagination is the key:
I'll be you, if you'll be me.

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Happy New Year

Wednesday, January 03, 2007

Evington Arboretum

Day of mist: day of tarnish
with hands
unserviceable, I wait
for the milk van
the one-eared cat
laps its gray paw
and the coal fire burns
outside, the little hedge leaves are
become quite yellow
a milk-film blurs
the empty bottles on the windowsill
no glory descends
two water drops poise
on the arched green
stem of my neighbor's rose bush
o bent bow of thorns
the cat unsheathes its claws
the world turns
today
today I will not
disenchant my twelve black-gowned examiners
or bunch my fist
in the wind's sneer.

—Sylvia Plath, 'Resolve'

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Leaving and Leaving You

Tuesday, December 19, 2006

When I leave your postcode and your commuting station,
When I leave undone the things that we planned to do,
You may feel you have been left by association,
But there is leaving and there is leaving you.
When I leave your town and the club that you belong to,
When I leave without much warning or much regret,
Remember, there's doing wrong and there's doing wrong to
You, which I'll never do and I haven't yet,
And when I have gone, remember that in weighing
Everything up, from love to a cheaper rent,
You were all the reasons I thought of staying
And you were none of the reasons why I went
And although I leave your sight and I leave your setting
And our separation is soon to be a fact,
Though you stand beside what I'm leaving and forgetting,
I'm not leaving you, not if motive makes the act.

—Sophie Hannah, Leaving and Leaving You

I first found this poem while lying in my friend's bed looking through books about five years ago, and I suppose this is the first time it's actually been relevant. Thus I start the hunt for a new place to live, in every sense, and it's exciting and frightening. But it's the way it must be.

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Poetry XLII

Friday, December 08, 2006

Eschatology is archaeology of
Ages still to come.
We are digging down by building upward,
Asking where our lives are leading,
Filling in our fuzzy logic
With visions of the apocalyptic.
Hindu ragas, Christian hymns,
Evolution, quantum physics,
Tell us all The Way Of Things.
Don't be fooled, my boy — you know
That poets, not Smarties, have the answer.

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Poetry XLI

Monday, November 27, 2006

A street in a memory circa 1993,
only no sunshine and no orange coat,
just an emptiness filled with silence,
a gap on the grey brick wall where you sat
for a pause on the walk that you walked with me.
Across those years I still feel
you whiskers pressed against my face;
the well-trodden pile on the carpet
where I collected all your coins one morning;
your sodden hands that washed up after our meal.
But all that detail's as dead as you,
and I cannot recall a single word,
nor even the voice that must have said them,
but which is now, a memory, silenced
like it never spoke, nor was ever spoken to.

Note

(after Windsor Road Chapel)

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Famous first words: I: Leisure

Sunday, November 19, 2006

Since someone mentioned it the other day, and no-one really knows what follows the first two lines, I thought I'd reproduce W.H. Davies' 'Leisure' here, both to fill that gap and to draw attention to how weak the remaining twelve lines are!

What is this life if, full of care,
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty's glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this if, full of care,
We have no time to stand and stare.

— W.H. Davies

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Poetry XL

Friday, October 20, 2006

Under the sizzle of pylons
On the West Pennine Moors,
I search myself for a trace of you
And imagine us two
In that house on the hill.
Our days are not contiguous
So I'm as dead as you.

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Poetry XXXIX: Heffalump

Monday, October 09, 2006

A rolly-polly heffalump
Was going for a walk.
She couldn't keep her hat on
And she couldn't even talk.
She bounced on all the flowerbeds
And knocked down all the trees,
She squashed a dozen wardens
And frightened all the bees.
With every bounce she bounced and bounced
Each time a little higher.
Soon she broke through all the clouds
And set herself on fire.
She orbited the earth for days
And deadified the moon.
Then she disappeared from sight
And so I played Pontoon.

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Poetry XXXVIII: Covetousness

Wednesday, October 04, 2006

To be with you, I'd sacrifice
Three hundred bears
And forty mice
To be with you, I'd take the train
Around the world
And back again
But you're with him. I understand:
I'm in the bush,
He's in the hand.
To be with you, I'd run around
With both my feet
Tied to the ground
To be with you, I'd get Bill Gates
To dress up like
He's Norman Bates
But you're with him. I comprehend:
He's the lover,
I'm the friend.
To be with you, I'd write a book
About a picture
And a hook
To be with you, I'd advertise
Defibrillators
For the eyes
But you're with him: I quite agree
That's he's for you;
You're not for me.
To be with you, I'd sing a song
Which lasted far
Far far too long
To be with you I'd read this poem
If I weren't scared about you knowing
But you're with him: I must declare
This love's not going
Anywhere.

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Poetry XXXVII

Friday, September 29, 2006

Swirling like a pint of Guinness,
Life's a drink that won't last long.
We're born, we breathe, and then we're gone.
Yet in the days we have, we gasp;
Clutch the straws we hold so dear,
Aware the day we part is near.
That day arrives and we exhale,
Release our grip, and down our drink.
The straws remain; stronger than we think.

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Charles Causley

Monday, September 11, 2006

Listening to Radio 4 in the car on the way back from Manchester today, I chanced upon a programme about Charles Causley, a poet whose work I have always been fond of but never really known anything about. I assumed to him to be dead, correctly, but didn't realise that he died as recently as 2003, a date well after I had become acquainted with his work; somehow the event passed me by. Either that or I've forgotten because my brain is frazzled from the life of sex, drugs, and rock and roll which maps neatly onto my identity as a sometime church organist.

As it turns out, according to the programme (to which you can listen again), when questioned about his life by friend Arthur Wills (not the sometime cathedral organist, but another person altogether), Causley would remark, 'It's all in the poems.' The general consensus on Causley is that he was the opposite of everything we assume twentieth-century art and literature to stand for: he was accessible rather than avant-garde, moral and Christian rather than philosophical and agnostic. Yet he maintained a distinctive voice which he used to achieve all kinds of real-world things which more celebrated poets did not. You can read some of his poems on Poethunter, but I reproduce my favourite (and perhaps his most famous) here:

I saw a jolly hunter
With a jolly gun
Walking in the country
In the jolly sun.
In the jolly meadow
Sat a jolly hare.
Saw the jolly hunter.
Took jolly care.
Hunter jolly eager-
Sight of jolly prey.
Forgot gun pointing
Wrong jolly way.
Jolly hunter jolly head
Over heels gone.
Jolly old safety catch
Not jolly on.
Bang went the jolly gun.
Hunter jolly dead.
Jolly hare got clean away.
Jolly good, I said.

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Poetry XXXVI

Saturday, September 09, 2006

Wasteland of flat and grey and green
circles around me, assessing the scene;
occasional stone and occasional stump,
momentary colour and impromptu clump.
Ghost town of robots with angular moves,
withered zombies with plastacine faces of grooves;
twilight of lives, haunted memories walking
resigned to the time of No More Talking.
Horizon unchanging but we're always ageing,
with each passing day our attributes waging
a war with the past that is bitter and cold;
the clouds come, the people get more and more old.

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Poetry XXXV

Monday, September 04, 2006

Hickory dickory dock
The mouse ran up the cock
The cock flew down
The mouse did drown
And neither put Humpty together again.

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Death of a friend

Thursday, August 31, 2006

Death is nothing at all
I have only slipped away into the next room
I am I and you are you
Whatever we were to each other
That we are still
Call me by my old familiar name
Speak to me in the easy way you always used
Put no difference into your tone
Wear no forced air of solemnity or sorrow
Laugh as we always laughed
At the little jokes we always enjoyed together
Play, smile, think of me, pray for me
Let my name be ever the household word that it always was
Let it be spoken without effort
Without the ghost of a shadow in it
Life means all that it ever meant
It is the same as it ever was
There is absolute unbroken continuity
What is death but a negligible accident?
Why should I be out of mind
Because I am out of sight?
I am waiting for you for an interval
Somewhere very near
Just around the corner
All is well.
Nothing is past; nothing is lost
One brief moment and all will be as it was before
How we shall laugh at the trouble of parting when we meet again!

—Canon Henry Scott Holland

At the end of what seems to have been a summer lived in the shadow of death, today was the funeral of a friend and choir member whose demise was, sadly, pretty rapid. But church was full of people to see him off, most people went to the commital at the crematorium, and then a good number of us went to the pub (which — if you want to picture it — is not dissimilar to The Jockey in Shameless) and drank beer in the same seats in which he drank pints of Mild and, latterly, gin and slimline tonic. His widow, in inimitable Mancunian fashion, was first to the bar, and bought herself an orange Bacardi Breezer.

How does someone left behind, whose life was for decades structured around that single person, reinvent their self? What are the new parameters for life, where do they come from, and why are they there? I imagine the truth is that, after that single, unrepeatable loss, life is never the same again, and never as full and truly lived again; the future becomes something to cope with rather than enjoy. But there are exceptions, and I hope my friend will be one. North Manchester folk certainly wrap themselves round you in a crisis, and, in spite of material poverty, I can't imagine a richer place to be at a time like this.

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Poetry XXXIV

Monday, August 21, 2006

Fourteen other dying men
Are your final companions.
Tubes here and there,
Flesh wasting away
To its inevitable conclusion.
Our hands on yours
Wake you from a dream
To a reality more alien;
A life unstructured
By imminent death.
And so we talk
Of normal things.
The neighbours getting milk,
The party last night
Where we drank for you.
What can you say?
This gap between us
Is no-one's doing.
It's the sliver keeping
You from living.
Here's a toast to absent friends
Whose voices are
As real as ever,
But in a few hours will be gone,
And our encounter will be severed.

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Poetry XXXIII: and

Saturday, July 29, 2006

the swans are swimming uniformly,
in sepia colours, past a boat.
a tree beyond them wobbles slowly,
and with the current, on they float.
their cygnets enter right of picture,
ripples start and multiply;
light refracted and reflected,
and I watch those ripples die.
curtain twitches on the boat,
an eye or two is looking through;
ripples hit a yacht beside it
and paint it an ephemeral blue.
t.v. aerial point beyond
and seems to offer new direction;
curtain is released, and silence
hides its falling, and its friction.
swans and cygnets leave the frame,
water flattens out a bit.
lamp's switched off beyond the curtain;
the tree remains, and there I sit.

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Poetry XXXII

Monday, July 24, 2006

Pregnant blue-grey clouds
Threaten rain a second time.
The bitter winter yields to fairer weather,
Two hundred tearful, frigid nights
Undone by you in one embrace:
Your skin, your hair, your eyes conspire
And I am lost again,
Seduced, and wantonly, by perfume
And the touch of leather.

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Poetry XXXI: Short

Thursday, July 20, 2006

I prefer to write in fountain pen,
Because, as all good writers know,
Not one good word was writ in Biro.

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Poetry XXX: Sleepless in Stockport

Sunday, July 16, 2006

El Mundo En Tus Manos

A Sunday morning, mid-July;
No sleep, although I really tried;
The coffee pot is full to brimming;
Three scoops of illy, and I'm winning.
That wisdom tooth is back again,
Impacted, and a cause of pain,
Infected, by my lousy brushing,
Extracted, by some drowsy Russian.
I'm sitting on the garden bench.
It's fucking cold at 5am.
But bees are already up and doing.
That bloody Russian. Could I sue him?
This pint of coffee's mighty strong.
I think I brewed it far too long.
There's bits of cous-cous on this table.
And bits of pancake on the gable!
Good God, I'm tired, but wide awake.
I can't sleep now, for Jesus sake:
I'm off to church in three small hours,
And it's my turn to trim the flowers.
Now there's cocking ants here too!
The table does need waxing, true,
But this year's ants are pestilent;
They're holding rugby tournaments.
I fear this coffee's contaminated
By fair Fairy's washing-up liquid.
Remember, readers! One always must
Clean coffee pots with moth and rust.
'El Mundo En Tus Manos'
Reads my coffee cup of chaos.
(My mug, just tween you and me,
Has an ethical foreign policy.)
I stretch and yawn! It's still so cold.
A prize awaits though. Yes! Behold!
If you can solve this metric riddle,
You'll earn a toy with which to fiddle.

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Poetry XXIX: 7/7

Friday, July 07, 2006

You stand at a grave.
A Tuesday afternoon,
Haze descended on lofty earth,
Where this cemetery seems
To intercede with heaven.
You touch withered flowers,
Once placed, alive, in honour
Of the rotting dead,
For the left-behind;
Who mourns the flowers?
Too many a thought,
Too many the days,
Too long since your last visit;
No faith, no revelation comes,
Do not return, you say, Get over it.
Hard shoe on soft earth identifies
Fresh death of old flesh;
Matter whose own finitude
Becomes new life and air and food;
This is no time for mourning.
You turn and watch the power station,
View your Kingdom, imagine Jesus
Being tempted in the wilderness.
You cast your eyes away from death
And the headstone you drove here to venerate.
No prayer said?
Is he not dead? Just silence,
And more silence;
The line dead too, like him and me.
You're next, you think,
And all the earth, piled violently
Atop crude plastic sheets,
Which crushes grass and flower,
Will soon crush you,
And you will rot.
Who will visit then?

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Poetry XXVIII

Wednesday, May 31, 2006

Loving my neighbour like myself
With my great churches
And my wealth
With his hunger
Hating the sin and loving the sinner
With my cruel words
And my punches
With his innocence
Being the Good Samaritan
With my suburban home
And my salary
With his poverty
Goodbye love
Goodbye sin
Goodbye Samaritan
With his death

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Poetry XXVII: Self

Wednesday, May 10, 2006

Self

Squirreling away the hoards of teabags
Down Tomorrow Street:
Dropping them down sewers
Every other week.

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Poetry XXVI: Nonsense III

Monday, April 17, 2006

Rasman Jasma Spasla Pasla
Irreduced to everything:
The time for merrywishing from
The time of everwanting.
Under he arches of the breeze
A merry underwritten sneeze
Who you ask who is this man
But Rasman is a cooker point
Who made me cook your uncle's tart
And roll away the knockers.
In the many challenges
He became a dangheress.
And under all the lights and sounds
The doctor came to help him;
Jeffrey was a happy bunny
Happy quoted Jolly funny.
Who Oh Who Oh Who are you
That reads with such intensity
That OH your eyes are sore they are
And my tooth it is hurty
Mengle mingle undergrad
Have you been to Petrograd?
Who Oh Who did Johnny see
When he went up London Tree?
Goodnight then readers
Don't forget
They haven't sectioned me
Just yet

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Poetry XXV: At the cross

Wednesday, April 12, 2006

If only I could speak the words
I need to say to you:
My mouth is shut,
My heart locked up,
How can I breathe
Or think or live
Unless you love me too?
Such love is a forbidden fruit,
Forbidden unto me:
Your mouth so near
Your heart so far
away. How can
That touching hand
So ripe, yet so raw, be?
This interdiction's interposed
By showers of delight:
Our intertwined,
Inwardly blind
Individuals
Intermingle.
Still art thou overdight.
And covered though I rest this eve,
My eyes fall shut and dream:
A country far
Beyond the stars
Where there's no You,
Nor any Me,
Just, and forever, We.

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Poetry XXIV

Sunday, April 09, 2006

Reading this post over at Homo Ludens made me think of a poem I wrote a while back. See Michael Rosen's comment on the post.

If I claim I'm over you
And put it into speech,
I merely reinforce the fact
That you are out of reach.
I waited by a cash machine,
I waited in a bar,
I waited in my bedroom,
I waited in the car.
I want to feel your arms around me
and feel skin on skin.
I want to let you be the vessel
to store my New Wine in.
You left me waiting, waiting, waiting,
Waiting longer than I can,
Waiting for tomorrow's Coming,
Weary, wasted, wizened, wan.
But I can say: "I'm over you!"
Despite the fact I'm breaking down.
So, like my wisdom teeth, I crumble
And there is nowhere else to

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Poetry XXIII: Nonsense II

Saturday, April 01, 2006

Spandex Jerrytastic leaves
Tiny orange dungarees;
Many men were on their knees:
"Jolly Bolly Knockers!"
Holy Holly Helly Hoo.
Many Mandy's Mary Moo.
Writing, writing, but who to?
"Kaery Nary Squeezer!"
Bless'd be you and bless'd be me
Cocking up the cocking tree,
Mouse ran down, cat did pee
"On the trolley pisser."
Whiner Diner Polly Pocket
Stuck it like a fucking rocket.
Wally Dolly she did sock it,
"Rarely in the shitter!"

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Poetry XXII: Nonsense I

Monday, March 27, 2006

Menghy Dagrow

Menghy Dagrow in the hearse.
Another world. Another verse.
The people all said, "Undertaker,
Where are Samueletta's shoes?
Her foots are morely in the nudes."
Under Samueletta's toes,
Alas, dear Menghy picks his knows.
"Gnostic anacrostic toxic!"
Samueletta's mother cried,
Because her toes had nearly died.
Menghy Dagrow nose no bounds;
Now he's dead, he can't be found
Save in moustaches, under glasses,
Cooking cordon bleu cuisine
In St. Theo's trampoline.
Generally, generations
Generate genitalations
In the bedroom, cold and raw,
On the kitchen table, floor,
In the pantry, by the door,
With the ventilation shaft,
In the garden, up the path,
Tickle Posh and Becks, although
Neither of them demonstrate
Menghy Dagrow's perfect weight.
"Gentlefolk, please calm yourselves,"
Menghy Dagrow wisely tells
A rabid crowd of rabit wolves
Under Mary's bathroom scales
(Sourced from Sweden, via Wales).
Witness to a brief encounter
Mary had with Jerry Mounther
Which he did most skilfully,
With little mess or complication
Since there was zero penetration,
Much to Mary's disappointment,
But Menghy Dagrow gave some ointment;
From then on, the men stayed hard,
Mary rode them through the night
And gave the scales quite a fright.
Lies! Deception! Subterfuge!
Menghy's telephone was huge,
Early days of telecom, then
Many years of internauting
Samueletta's astronauting.
Menghy got his breath again,
But died just after half past ten.

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Poetry XXI

Monday, February 27, 2006

Everyone is rushing there but me.
Stooped down like bears, most of them.
The rest are waiting, worried:
Worried, because they're not rushing:
There must be something wrong if they're not rushing.

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Poetry XX

Thursday, February 23, 2006

Dripping dreams of life away.
Dreaming drips night and day.
Can you hear the waters lap?
How many dreams left in the tap?

—Spike Milligan

That two-tone sky
Of suburbia.
It has clearness,
Sharp colours. I cry

On a calm day
In Spring. It all feels
Perfect, like it
Hides nothing away.

I know better.
The sky will crack as
Truth tumbles down.
The world gets wetter.

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Poetry XIX

Monday, February 06, 2006

February

Earth is bathed anew
in mid-February blue.
The snow is gone,
and the clouds now chase
for the summer's return
to humanity's face.

A familiar buzz
replaces what was
a drizzly din.
Lawn mowers are out,
as people emerge
from their wintry bouts

of wintry depression,
and find new expressions,
like smiles, and hugs!
"If all year were summer,
I'd never be sad!"
I tell you, remember

they'll soon be complaining,
"I wish it was raining!
It's far too hot."
Those dreams of winter
will come once again.
The cyclical thinkers

rejoice in the rain
as it flows down the drain.
Another year passes,
the flowers neglected,
the lawn mower shelved,
the cycle completed

by January talk
of long summer walks.
"I wish it was summer,"
the speech will begin.
Human nature as constant
as the weather has been.

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27.01.45.22.01.06.Poetry.XVIII

Sunday, January 22, 2006

Interruption

An hour's slot on television
Recalling endless mutilation.
The day will come when we forget
The cruelty laid by man on man:
Sins done that only humans can.

Flesh-burnt pillars and chalked-up walls;
We tattooed numbers which now appall.
The day will come when we forget
These marks by which the bodies fell:
These glimpses of their living hell.

The name which Europe must remember,
A vision of our burning embers.
The day will come when we forget
That we could all be interrupted:
Murdered at another Auschwitz.

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Poetry XVII

Saturday, January 14, 2006

Oh, how I wish I was a bird!
My fluttering and flight, unheard,
Would carry me so far away
From all my guilt, indecency
And fear.

Oh, how I wish I was a bird!
I'd soar and swoop, without a word
To say or shout or think or sing;
No speech to reify my sin
Or fear.

Oh, how I wish I was a bird!
My body would not be interred,
No-one to grieve this wasted life;
My love, my work, my soul arrives
At fear.

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Poetry XVI

Monday, January 09, 2006

Leicester Square

So there he stood as he masturbated,
Neo-naked* in Leicester Square,
The whole damn city evacuated;
"Be vigilant!" they said, "Beware!"

So there he stood as the People watched
This eight-year-old, strapped to a bomb;
Polizei stood round about him, for
They were right and he was wrong.

So there he stood like the man on telly,
The metal cut into his flesh,
Snipers focused on his eyeballs
To kill the boy from Kabul creche.

So there he fell, there he exploded
Outside Starbucks' in Leicester Square
The whole damn city celebrated,
Although there was nobody there.

So there his body parts were scattered,
Arms and nose and brains and cock;
The kiddy came as he detonated
An orgasm nobody could stop.

They washed away the blood, the brains,
In little bits the boy grew up;
Four million came at just the moment
That wanking Afghan boy blew up.

Notes

This poem probably deserves some explanation.

Apart from the obvious political stuff, I am aiming at capturing the sense you get, when watching twenty-four hour news, of disparate stories rolling into one; it is unlikely that an eight-year old would be a suicide-bomber (though it's possible; did we hear the news correctly?); it is unlikely that an eight-year old would be masturbating in public (though it's possible; did we hear the news correctly? Is it too late already? Are there more riots in Portsmouth?); the final verse is an allusion to the way twenty-four hour news (and particularly internet broadcasting) commodifies events like the one being described (is it a real event?) and that, quite probably, there are millions of people around the world getting off on a masturbating eight-year-old blowing himself up.

* This is a reference to Jon Snow's delightful invented word used during a Channel 4 News report:

Because I mean the world and his wife have been telephoning from blocks surrounding the drama reporting on what they can see from the Peabody Estate balconies. They've been recording the police commands on their mobile phones - "Come out in your underpants" and sure enough that's exactly what happened.

These men whose photos have blitzed their way across the world suddenly appear neo-naked in the balcony on the ramparts of an improving social housing estate beyond Shepherd's Bush.

Relevant links

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Poetry XV

Tuesday, December 20, 2005

Untitled

Under the vastness of stars and sky,
You and I must still be one.
But from here to you's an eternity.
A distance that I dwell on.

And here I lie in a different life,
With drawers half-open and clothes thrown down.
I dream of taking a train through time
Of feeling your warmth again.

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Written on 30.09.02.

Read the small print.

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Poetry XIV

Tuesday, December 13, 2005

Rehabilitation

There you are, asleep, I guess;
Tucked up like a pink Princess.
Here I am, awake, I know;
Sick, because I love you so.

Where I hugged you, where we kissed,
Where I held you by the wrist,
Are they to be fictions, then?
Erased, with an Eraser Pen?

Yes, I love you, yes, I cried
Tears which only flow inside.
Must our love a fiction be?
Kommt her, sweetheart, come to me...

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Poetry XIII

Saturday, December 03, 2005

Short Nonsense

Rasputin and Tsarina in a jar
With solemn spoons of ice
As bang bong bang bing pling plang cling
Go my pyjamas twice.

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Read the small print. ©2005.

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Poetry XII

Monday, November 28, 2005

Random horizon line
Broken by trees

And foreground of
Bent grass in breeze

House to the right
And post to the left

Montage dynamic raindrops
Rattling death

And air

More air

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Read the small print. ©2005.

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Poetry XI

Thursday, November 17, 2005

Death?

So ten years on, that living corpse,
Found sprawled upon the bathroom floor,
Is agony made real once more.
The body's dead, but wounds the living;
A mortal act, that needs forgiving.

We have the upper hand on death;
We have the words and breath to speak,
But deathless Love is mute, and meek;
It seeks to turn its death to rage
And voices Anger in a cage.

We look beyond, each one of us,
And dream of our own dying day;
We wish our waking life away,
So desperate, as we are, to see
That Nothing of Eternity.

Are you out there, Father, dead?
Your End's a tale we all narrate,
A fiction issuing rage, not hate.
This grief a universal one:
Son to Father; Father to Son.

[31.v.05] Read the small print. ©2005.

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Poetry X

Friday, November 11, 2005

Lamentations

The city sits solitary,
And is full of people.
Our ultimate society,
This limitless community,
Is trampled in the street,
Like a beer can under feet.

How is she become a widow,
How is her empire dead?
It's illegal immigration
That has been her denigration,
And the rivers of White Stripe,
And the shadows in the night!

The city is a wilderness
And one day will be rubble.
Even Rome and Athens,
In their day, became but ruins.
Our city, too, will perish.
Our dreams will all be finished.

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Poetry IXa

Wednesday, October 26, 2005

On Squeak

Fold away the Volvo
And pack up the house!
I'm telling a story
About Squeak the mouse.

Squeak is a mouse
Who lives in the floor
And used to eat cardboard,
But not any more.

Now he eats oranges
And chocolate on toast
'cause those are the things
That his tummy likes most!

But these little factlets
Mean nothing at all.
See, the problem with Squeak is,
He's getting too tall!

It started one Sunday
Last summer in Cork.
It was nine in the morning,
And he went for a walk.

By eleven he'd made
His way into town.
But, alas! Squeak discovered
His trousers fell down!

He pulled them up tight,
But they came to his knees.
"Oh no!" Squeak exclaimed,
"My legs are diseased!"

Some mighty strange looks
From the crowd he attracted,
So he went to the tailor,
Who thought that he'd cracked it.

See, the tailor (whose name
Was Mister Baked Beans)
Said he'd make Squeak a new pair
Of Extra Long Jeans.

So — skip a bit brother —
And back to today.
He's had nine pairs of trousers
Since he went away!

He's been to the doctor
And written a song,
But no-one quite knows
Why his legs are so long!

Although Squeak is now
Over six feet tall,
He's found a solution
That's suited to all.

Instead of his trousers,
He now wears a kilt,
So he walks down the main street
Without any guilt!

And when he grows taller,
He adds a bit on:
The length of his kilt
Is second to none!

At ten foot six inches,
Squeak is content,
Though he lives on two floors now,
And pays twice the rent!

But that is a story
For some other fellow.
Now go to sleep soon
Or your legs might turn yellow!

Read the small print.

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Poetry IX

Tuesday, October 18, 2005

Untitled

Sigh and wait
For twist of fate
To make things better.
Deus ex machina.

Does it come?
Have you won?
All is still for me.
As stagnant as can be.

Read the small print.

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Poetry VIII

Friday, October 14, 2005

Untitled

A galaxy of eternity
Unfairly balanced.
Clementines spinning,
Flames burning out,
Time sapping away,
Coils unwinding,
Knots untying:

Tape over the cracks
And rescue the image.

Written 16.12.04. Read the small print.

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Poetry VII

Saturday, October 08, 2005

Postcolonialism

I write a dream that must remain
just that. A kind of postcolonialism
that's nearer to anachronism.
Oh, must I fantasise still now
about your youthful eyes, and how
I'd be the first to part those gates
of lust, the first to penetrate
the virgin heart with which I lay?

The history, like you, I leave behind,
though I cannot forget your boyish arms,
the tanning of your skin, your tender palms
which still lie on my chest and cru-
cify my heart each dream anew.
I tell you now this untold love,
a crime I'm ten times guilty of.
This dream's bequeathed to you, unsigned.

Written 18.02.05. Read the small print.

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Poetry VI

Saturday, September 24, 2005

Can I sweep away the cobwebs,
Can I blow the dust away?
Open up the ancient pages,
Cross out words from yesterday?

Boy must lose to man, in yearning
For the freedom waiting brings;
Still, man is eager, in his freedom,
To rediscover childish things.

Where is man to turn in clearing
Out the closet? Can it be
That all he seeks is confirmation,
That vision of eternity?

I can sweep away the cobwebs,
I can blow the dust away.
Every year I'll read the words with
Which the boy the man betrayed.

Written 16.01.05. Read the small print.

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Poetry V

Thursday, September 22, 2005

Untitled

Seven potted blackbirds
Ate a jar of jam:
Only they can know
How blueberry I am.

Read the small print.

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Poetry IV

Sunday, September 11, 2005

Orgasm

A curious assembly
of body parts, pornography,
friction, fear and fantasy
seems through my mind,
then blood, to flow.

I masturbate, but soon I find
I'm dreaming not of intercourse
but symphonies, sonatas, laws
of harmony, Full Swell,
box shut, I crescendo

and reach a perfect close:
the nearest a musician knows
to taming the insatiety
from which his lust and semen flows.

Written 25.08.05. Read the small print.

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Poetry III

Monday, July 04, 2005

Crucifixion

In time, we come to miss the things
We used to curse.
To make things worse
We turn towards a history
Whose contours, falsely carved, decree
The slavery of our memory.

Desire I must that past I lack,
And dream the child
Was undefiled;
I read this fiction day by day
And tell the tale that tries to slay
The rootlessness I still betray.

Oh, kyrie eleison!
You saw me cry
And saw me die
In this symbolic suicide,
The end from while all life's derived.
The reason you were crucified.

Written 01.06.05. Read the small print.

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Poetry II

Wednesday, June 08, 2005

The Poverty

See that strange man who is walking towards us!
His glasses all wet from the wind and the rain,
His walk is a shuffle, his manner appals us,
Cross over the road, and cross over, again!

See that strange man who is muttering darkly!
His words are but nonsense, his clothes are a sight,
Where do you think he is going so slowly?
Come, children, quickly! It soon will be night.

See that strange man who is turning the corner!
He's crying now, children, he's crying instead,
He's crying out loudly, forlorner, for Lorna!
He's telling the world that his mother is dead!

See that strange man who is sat on our doorstep!
Wet and dishevelled and grief-stricken too,
Hurry inside now, step over the reject,
There's nothing that anyone here can do!

See that strange man who is dying beside us!
His body's decayed and his words have all gone,
Remember now, children, though he may deride us,
There's nothing, no nothing, that we could have done!

See that strange man, now they bury his body!
They bury it deep with no tears or regret,
Come children, see how they bury his body,
They stamp down the earth, so that we may forget!

See that strange man in the crops and the flowers!
See him return in the ear and the grain,
See, children, see how we're doomed to consume him,
Consuming his ashes, again, and again!

Written 11.02.05. Read the small print.

Related links

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Poetry I

Tuesday, May 17, 2005

On Aesthetics

Poetry, like water, doth distil
through dirty rocks and rusty taps.
We search for it with mine, and drill.
But after all our efforts, still
it's offered up unto the gods;
a process of evaporation
guarantees its circulation.

Literature, in waves, assaults the shore.
Such plenteousness can nothing mean
till drought doth come. It rains no more
and, "Oh!", how we the gods implore,
"Deliver us from our misery!"
This dread of our predestination
the only fruit of desperation.

Little could we know, amidst the pain,
that drilling down and offering up
around us did go on, the same.
Each act that seeks to catch the rain
doth nought but hasten on the hour
when heaven will take her reparation,
and poetry its recreation.

Written 01.02.05. Read the small print.

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Poetry Corner

Monday, September 13, 2004

Two Red Bulls

Two pounds for two Red Bulls!
I blame the Welcome Break
For the fact I'm wide awake
After drinking two Red Bulls.
I drove along the A road!
They gave me stimulation
For the length of my vocation
In going up the A road.
It's ten past one a. m.!
The caffeine worked too well,
And the taurine's living hell,
At ten past one a. m.
I'll never sleep again!
Just Red Bull flavour poetry
From now until eternity.
I'll never sleep again!

[11.8.04]

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Poetry Corner

Monday, June 14, 2004

The Daily Relax...

The daily relax
When time slows,
And sounds grow silent;
Rooms fill with faint shadows;

All becomes still
And individual

Everything rests
While pressures seep away
Into the folds of covers,
Hidden till the next day.

Listen, just the distant drone
Of people on their way back home.

Cold comes;
All feels sharp
Yet refreshing. Cold tells us
To sleep embark.

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Poetry Corner

Saturday, April 24, 2004

Brown silhouette...

Brown silhouette traces my love for you.
The horizon is magic, the window clear.
Fire licks warmth. I feel it in the setting sun.
I have seen it every day of our last year.
I've remembered it in all I've said and done.
I lie awake in the cold of the night
And the warmth I feel is you.
I return to my chaos, my place.
Walls reverberate truth from my pen.
But it gets me nowhere, it will echo
For a moment. But dissipate and madden.
It hides here, This book its cage. These words do not know
Life or love or beauty. I build with them
But I build a place which caves in.
Tomorrow I will lose myself in the crowd.
Again, it will help. It must, for why else do it.
Lunch will stop me thinking. But I will start
Over. Back here I will come. I will pursue it.
I wonder what to say, where to go. My heart
Is full with a year of pain. I throbs eighty a minute.
Each pulse asks. Each pulse echoes a little more loud.

[1.1.2001]

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Poetry Corner

Wednesday, March 03, 2004

We have so little time...

We have so little time,
It's going down the drain,
You must admit
We've crossed the line,
And lost the plot, a bit.
The second coming's nigh,
This war was seen by John,
And history is
just One Big Lie,
But Jesus is the biz.
Have you heard the radio?
These 'songs' are all just noise.
Back in my day
The concerto
Was wonderful and gay.
The end is near to me.
What, fifty, sixty, years?
My own end-time
Will always be
Apocalypse by wine.
We have so little time,
It's going down the drain,
You must admit
We've crossed the line,
And lost the plot, a bit.

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In a self-publishing mood

Monday, April 28, 2003

The posting of the poems from Bangor the other day have made me want to put more up...

On Spike Milligan's Passing

While I was walking home
I found a seat sat all alone.
And on the seat there was a shoe
That didn't know quite what to do.
They told me they were leaders
In Spike Milligan's Quartet
And thus they ate banana skins
And took them to the vet.
And then the shoe fell over
And rolled off down the hill.
I took the shoe to Dover
On a window-sill.

Untitled

Seven potted blackbirds
Ate a jar of jam;
Only they can know
How blueberry I am.

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Back from Bangor

Saturday, April 26, 2003

Here are some poems that I wrote on the train on the way to Bangor:

The Unfortunate Tale of Mr Kazoo and Mr Bear

'Oh no!' said Mr Kazoo,
'What on earth have I done to you?'
'Do you care?' said the Bear,
With tremendous hair,
'That you flushed my lunettes down the loo?'
'I certainly do!' said Mr Kazoo,
With a voice the size of K2,
'And I hope, Mr Bear,
Your tremendous hair
Will reproach me just what I am due!'
And so Mr Kazoo was flushed down the loo
And was never again heard to moo,
Though naughty old Bear,
He sat in his lair
Making squashed fish and horse glue.

An Unlucky Eliffant (Elephant)

A rolly-polly heffalump
Was going for a walk.
She couldn't keep her hat on
And she couldn't even talk.
She bounced on all the flowerbeds
And knocked down all the trees,
She squashed a dozen wardens
And frightened all the bees.
With every bounce she bounced and bounced
Each time a little higher.
Soon she broke through all the clouds
And set herself on fire.
She orbited the earth for days
And deadified the moon.
Then she disappeared from sight
And so I played Pontoon.

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